The Idea of Perfection takes place in Karakarook, a tiny New South Wales town in the middle of nowhere. At around the same time, two outsiders arrive in town for work-related purposes. Harley Savage is a part-time museum curator and textile artist, who has departed "the city" to help Karakarook with its "heritage"; Douglas Cheeseman is a vertigo-afflicted bridge engineer with a fascination for concrete, in town to assess (and likely demolish) the town's "Bent Bridge". Both are supremely awkward, throwing themselves into their work to try to escape the baggage of unsatisfactory lives and failed relationships.

When I Lived in Modern Times is the story of Evelyn Sert, a 20-year old hairdresser from Soho, of Latvian-Jewish heritage. After the war, she sets sail for Palestine, aiming to be part of the creation of a "new Jewish world" along with the refugees and idealists gathering there.

This is a Palestine still under the last throes of British colonial rule, and Evelyn is uncertain of her place in the embroyonic years of the creation of the Jewish nation. Unable to speak Hebrew (or in fact any languages other than English) she is initially at the whims of those around her, spending her first confusing months in a kibbutz before hitching a ride to the idealistic White City of Tel Aviv with the mysterious Johnny.

The Stone Diaries is an epic covering the life of one woman, Daisy Goodwill Flett, over the course of almost the entire twentieth century. Beginning with her birth in 1905, during which her mother dies, it catches up with Daisy at regular(ish) intervals through the century, covering her early life raised by her aunt Clarentine, her early marriage to the alcoholic Harold Hoad, a second marriage to a much older man (previously her ward, Barker Flett), parenthood and gradual decline through to her death in Florida in her nineties.

widow and resident of the town for around ten years, decides to open a bookshop in an abandoned seafront property known as The Old House, which is damp, decaying and apparently haunted by a "rapper" (poltergeist). She faces opposition from influential (and rich) local resident Mrs Gamart, who despite having shown negligible interest in the Old House previously, declares that she wants to use the location to set up an arts centre.

A Crime in the Neighbourhood is set in the suburbs of Washington, D.C. Its events are narrated from retrospective distance by Marsha, who as a ten year old saw her life impacted by a trio of events in the early part of 1972: the departure of her father (who elopes with her aunt), the unfolding Watergate scandal (which preoccupies her mother) and most importantly, the rape and murder of a young boy in her local area.

Young Mungo is a book that very much continues where Shuggie Bain left off. It’s not a sequel, but if you squinted a bit, it certainly could be. The world is the same - the grinding poverty of the Glasgow tenements in the late twentienth century, Shuggie’s Sighthill looming over the background of various scenes. The central character is again a boy coming to terms with his sexuality in unforgiving circumstances, while simultaneously devoting much of his love and energy to an alcoholic mother, with the same complement of older siblings as Shuggie. In short, if you loved his debut, you’re not going to find yourself wildly thrown off by the contents of this one. There are, of course, differences. Mungo is a fair bit older than Shuggie, already somewhat adapted to the reality he needs to at least try to fit into; similarly devoted to his disastrous mother, but less reliant on her and therefore slightly more open to possibilities beyond her world; and with at least sense of the possibility of escape.

Larry's Party covers just over twenty years in the life of Laurence "Larry" Weller, an initially "ordinary man" in Winnipeg, Manitoba. It begins in the mid-70s with him as a 26 year old assistant florist, and ends with him hosting the titular dinner party in 1997, his life having changed beyond recognition, but in some ways coming back to where the book began...

Blonde Roots has a concept that’s hugely appealing in its simplicity: it imagines a world in which the history of the slave trade is inverted, where “blak Aphrikans” are the masters and “whyte Europanes” the enslaved. Its central character is Doris Scagglethorpe, a white Englishwoman who is kidnapped as a child and taken on a slave ship to the New World (in the "West Japanese" islands) where she is acquired by the plantation owner Bwana, also known as Chief Kaga Konata Katamba I. She is ultimately moved to the imperial capital of Londolo, in the island of Great Ambossa where she becomes a "house slave" until her attempt to escape. As punishment, she is returned to the plantation and ends up labouring in the fields, suffering incredible hardship and dreaming of a final escape.

Fugitive Pieces is a novel in two sections, each focusing on a character's attempts to deal with trauma and loss relating to the Holocaust. Its first and longer section focuses on Jakob Beer, who as a 7-year old is the only person in his town to survive a round-up of Jews by invading Nazis. He is found by a Greek archaeologist, Athos Roussos, who take him into his care, moving him secretly to Zakynthos in Greece.

A Little Life begins in a familiar enough mode, detailing the lives of four clearly exceptionally talented young men, brought together as roommates at university in New York: JB, a painter; Malcolm, an architect; Willem, an aspiring actor; and finally Jude, a mathematical genius and eventual lawyer. It’s clear from early on that much of the novel’s intrigue is going to revolve around Jude, who despite his many talents is clearly suffering - with both serious physical and mental health issues resulting from initially undisclosed past events.

As it develops, it comes to focus more directly on Jude, and all of the other characters largely come to be defined more in terms of their relationship to him. We learn relatively early on that he has suffered severe abuse as a child, the nature of which is slowly expanded upon in increasingly horrific detail. Crucially, he is unable to reveal the truth of his life to anyone - instead taking refuge in long hours of work as a lawyer and in persistent self harm. While he enjoys the love of many friends, and ultimately adoptive parents in the form of mentor Harold and his wife Julia, he is unable to overcome his trauma. Throughout we’re given hope that through a series of positive developments Jude may be able to begin to face his past and at least begin to enjoy his life, but this - ultimately - isn’t that kind of novel.

A Spell of Winter is a gothic novel set in wealthy rural England in the years before World War I. It focuses on two siblings, Cathy and Rob, who live with their grandfather after their parents have departed in initially mysterious circumstances. They are brought up mainly by a servant, Kate, and taught by their hated governess Miss Gallagher, who appears to have an unhealthy fascination with Cathy.

Klara and the Sun is Ishiguro’s eighth novel, released to much anticipation last year at the height of the Covid Pandemic. It’s told from the perspective of an AF (Artificial Friend), a robotic life-form created to help provide company for children in a world in which they are no longer able to (for reasons not initially stated) socialise in school-like settings. As in Never Let Me Go, many key details are withheld. We come to understand via Klara’s limited but perceptive observations that this world is different to our own in ways we don’t quite understand (beyond just the existence of sentient AI-based lifeforms, of course.)

The Promise charts the decline of the white South African Swart family, at their farm outside Pretoria, over four decades. The novel covers the funerals of four out of five of the core family, against a backdrop of a changing South Africa, from the later years of Apartheid through the optimism of the Mandela years, Zuma-era corruption and into almost the present day.

Shuggie Bain is a deeply personal story, clearly heavily influenced by Stuart’s own childhood, of a caring but “different” child, Hugh “Shuggie” Bain growing up in 1980s Glasgow with his alcoholic mother, Agnes. The book begins with the pair (and Shuggie’s two siblings Leek and Catherine) living with Agnes’ parents and Shuggie’s father “Shug” in Glasgow tenements. Shug moves the family to the isolated mining “scheme” accommodation of Pithill, before abandoning them to move in with another woman. Agnes is glamorous but unfulfilled, taking refuge in alcohol which worsens as her parents die and her daughter marries young and moves to South Africa.

The 2010s were a hugely significant decade for the Booker, largely due to the shift in rules which came into place in 2014. From that year onwards, the Prize was open to all novels published in the English language, replacing the long-held (and many might say, dated) criteria that focused on authors of British, Irish and Commonwealth heritage. This shift led to a lot of hand-wringing and fretting about the potential “domination” of the Prize by US authors, and a dilution of what the Prize stood for.

The Testaments revisits Gilead (the setting of The Handmaid’s Tale) via a number of new perspectives, each shedding new light on the dystopian world Atwood created some three and half decades previously. The first is a covert diary written to a future audience by The Handmaid’s Tale’s fearsome Aunt Lydia, describing how she became a part of the regime as well as how she comes to subtly undermine it from inside; the second a testimony from Agnes, a girl who has grown up knowing nothing other than the Gilead regime; and the third from Daisy, a teenager in Toronto who has viewed Gilead from the outside, but will have to face its realities first hand (for various spoilerish reasons.)

The Handmaid’s Tale, for anyone who’s been living under a rock and is somehow not familiar with its plot, is essentially the tale of a dystopian, totalitarian version of America, known as Gilead, seen through the eyes of one of its presumably millions of ordinary female victims - Offred - who, as one of the diminishing number of fertile women in an aggressively patriarchal society, is assigned to the role of “handmaid”, essentially a house-slave of her “commander” whose sole purpose is to bear him and his wife a child.

Girl, Woman, Other follows the lives of 12 characters, predominantly black and female, in the UK over the course of the twentieth and early twenty-first century. Each of the 12 main sections is told in the voice of those characters, whose lives cross over, in some cases intimately and in others highly tangentially, with the other characters in the book. The first chapter focuses on the build-up to the launch of its central character, Amma's new play, The Last Amazon of Dahomey, opening at the National Theatre. The final chapter takes place at the play's afterparty, at which many of the present-day characters are present or in the minds of those attending.

Milkman is told in the distinctive voice of an unnamed 18-year-old "middle sister" trying to go about her life in an unnamed city in peak-Troubles Northern Ireland. She is stalked and harrassed by a 41-year-old paramilitary officer known only as "Milkman". False rumours spread that she is in a relationship with this character, affecting her relationship with her mother, the wider community, and her "maybe-boyfriend".

Lincoln in the Bardo focuses on the death of Abraham Lincoln's son Willie. It focuses (not sequentially) on the build-up to his death (in which the Lincoln's host a party while Willie lies bed-ridden), his death itself, and the aftermath, in which the grieving president visits his son's crypt and holds his body, all apparently based in historical fact. So far, so simple? Well… the above summary does absolutely no justice to what this novel actually is, which is a joyously unusual thing that mixes historical accounts (real and invented) of those events with a wild supernatural narrative set in the "bardo", a Buddhist term for the "intermediate state" between death and resurrection.